
Kathryn Moreadith has joined Arts Diplomacy Network as Managing Director. She brings to the organization a wealth of experience in music and international relations.
Research, Ideas, and Support for the Arts in a Global Society

Kathryn Moreadith has joined Arts Diplomacy Network as Managing Director. She brings to the organization a wealth of experience in music and international relations.

American Voices was selected by the U.S. Center for Citizen Diplomacy as a “Top Ten Best Practices Organization.” AV Founder and Executive Director John Ferguson recently answered my questions regarding the nonprofit’s arts-based cultural diplomacy work abroad.

Just a quick note: musician Clay Ross shared a great video with me from his trip to London in October, so I thought I’d pass it along. Posted by US Embassy London, it shows him playing African-American music to a group of rapt schoolchildren in celebration of the UK’s Black History Month. Photo/Chico Farias

There is much about art that’s lost when it’s defined by its social benefit or economic impact for the purposes of public funding. But some of the new avenues of research opened by arts managers’ responses to the current financial crisis can also be used to assess cultural diplomacy’s outcomes. Evaluating social benefits and economic impact of cultural diplomacy efforts would better communicate the value of these programs to stakeholders at home and abroad.

The Salzburg Global Forum for Young Cultural Leaders (going on now through November 1) has brought together fifty dynamic young cultural leaders from around the world in Salzburg, Austria for an intensive leadership development program. This new annual series helps young cultural practitioners improve their leadership skills and is intended to enhance international understanding and cultural exchange and to strengthen the cultural sector worldwide through a vital global network of young cultural leaders.

Most people shy away from making value judgments because if you say something is good or bad, you’re expected to follow up with your reasoning, and many people simply don’t feel qualified to do so. Paglia argues for a return to art education as basic training in how to look at images and objects with an eye toward aesthetic value.

I missed the chance to meet Anu Tähemaa when she visited Los Angeles in September as part of a State Department/International Visitor Leadership Program (IVLP) exchange that gathered twenty-two international visual, performing, and literary arts professionals to explore using the arts as a platform for social change and inter-cultural understanding.

Sound advice from clarinetist and musical ambassador Marcus Eley: “Remember whatever you do or say will be perceived as a view from America. Always smile. Finally, concentrate on the one element that transcends language – music.”

Local arts professionals and cultural diplomats could learn a lot from each other just by sharing evaluation metrics and their successes and failures in engaging certain publics.

A cultural diplomacy model based on collaborative creation seeks to expose and share collective values. It involves creating a space for the host culture to share its own values. It’s at least as much about listening and learning as it is about showing and teaching.